Güzelin kaybı olarak mahremiyet krizi: Modern göz'ün eleştirisi
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Dosyalar
Tarih
2025
Yazarlar
Dergi Başlığı
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Yayıncı
Bursa Teknik Üniversitesi, Lisansüstü Eğitim Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Modern Çağ'ın asli sorunu olarak karşımıza çıkan güzelin ifşaatı; güzelin sıradanlaşması/bayağılaşması/banalleşmesi mahremiyet krizine yol açmıştır. Güzelin kaybı olarak mahremiyet krizinin Modern Çağ'daki tezahürlerini incelemek, modernitenin bu durumda izlediği politikaları, çalışmaları ve ikame biçimlerini dikkate alarak günümüz toplumlarının son tahlilde geldiği durumu mukayese etmek çalışmanın temel amacıdır. Modernizm, logosentrik bir yapıdan, okülersentrik bir yapıya dönüşümün adıdır. Okülersentrik yapı içerisinde şekillenen kültür, toplum ve devlet asli olarak 'görünen şey' üzerinden tasnif edilmeye çalışılmıştır. Bu esnada ortaya çıkan güzelin görünmezliği (ifşa edilmesi) ve devamında mahremiyet krizinin doğması, insanı vitrinde yaşamaya sevk etmiştir. Modern Çağ'da güzelin kaybından söz edebilmek için öncelikle güzelin kült değerinin sergi değerine nasıl dönüştüğünden söz etmek gerekir. Modern göz; gören, görünen ve görülen ekseninde şekillenmiş olup mahremiyetin mahrumiyete dönüşmesine sebep olmuştur. Sağlıklı olanın güzelin pürüzsüzlüğü olması, mahrem olanın ise mahiyetini yitirmesi 'Modern Göz'ü iktidara getirmiş ve egemen kılmıştır. İnsanlar, yaşadıkları hayatın ancak seyredildiği ölçüde değer kazandığını düşünmektedirler. Mahrumiyet Güzelin modern dönemde sergi değerinin de artmasıyla temsil kaynakları da artmış ve Homo Sapiens sekülerleşerek modern dönemde yeni formlar kazanmıştır. Her dönem yeni kaynaklar ortaya çıkmış ve buna eşlik eden akımlar/ideolojiler ile toplumu şekillendirmek Modern Göz'ün ideali haline gelmiştir. Bu noktada Modernite içerisinde Mahremiyet arka planda kalmış ve ideolojik yapı haddini aşarak kendini gerçekleştirmiştir. Güzelin kaybı ve mahremiyet krizi Modern Çağ temsil tasarısı olarak toplum tipleri şeklinde senaryolaşmıştır. Temsil toplum (tüketim toplumu, şeffaflık toplumu, gösteri toplumu, teşhir toplumu vb.) tiplerinin nasıl değerlendirileceği, nelere yol açabileceği ve hangi ideolojik yapılar tarafından viral hale gelip meşrulaştırıldığı tartışılacaktır. Bu bağlamda çalışmada, güzelin kaybının yol açtığı mahremiyet krizine yer verilecek, konunun günümüzdeki yansımalarına ve dönüşümlerine değinilerek Modern Çağ'ın güzelin ifşası olarak mahremiyet durumu tartışılacak ve güzelin dolayısıyla mahremiyetin en korunaklı olduğu Orta Çağ dikkate alınarak güzelin kaybı olarak mahremiyet krizi Modern Çağ eleştirisiyle ifade edilecektir. Günümüz toplumlarının güzelin kaybı olarak mahremiyet krizi karşısındaki tutumu ve uyumu açısından hangi nokta da olduğu açıklanacak ve tartışılacaktır.
The disclosure of the beautiful, which is the main problem of the Modern Age, and the banalization / vulgarization /banalization of the beautiful have led to the crisis of privacy. The main purpose of this study is to examine the manifestations of the crisis of privacy as the loss of beauty in the Modern Age, and to compare the situation of today's societies by taking into account the policies, studies and substitution forms followed by modernity in this situation. Modernism is the name of the transformation from a logocentric structure to an ocularcentric structure. Culture, society and the state, which are shaped within the ocularcentric structure, were essentially tried to be classified through 'what is visible'. In the meantime, the invisibility (disclosure) of the beautiful and the subsequent emergence of a crisis of privacy have led people to live in the shop window. In order to talk about the loss of the beautiful in the Modern Age, it is first necessary to talk about how the cult value of the beautiful has turned into an exhibition value. The modern eye has been shaped on the axis of the seer, the seen and the seen, and has caused privacy to turn into deprivation. The fact that what is healthy is the smoothness of beauty and what is intimate loses its essence has brought the 'Modern Eye' to power and made it dominant. People think that the life they live gains value only to the extent that it is watched. Deprivation With the increase in the exhibition value of the beautiful in the modern period, the sources of representation have also increased and Homo Sapiens has secularized and gained new forms in the modern period. New sources have emerged in every period and shaping the society with the accompanying movements/ideologies has become the ideal of the Modern Eye. At this point, privacy has remained in the background in Modernity and the ideological structure has realized itself by exceeding its limits. The loss of beauty and the crisis of privacy have been scripted in the form of society types as the Modern Age representation design. It will be discussed how to evaluate the types of representational society (consumer society, transparency society, show society, exhibition society, etc.), what they can lead to, and by which ideological structures they become viral and legitimized. In this context, the study will include the crisis of privacy caused by the loss of beauty, the reflections and transformations of the issue in the present day will be discussed, the situation of privacy as the disclosure of beauty in the Modern Age will be discussed, and the crisis of privacy as the loss of beauty will be expressed with the criticism of the Modern Age, taking into account the Middle Ages, when beauty and therefore privacy were the most protected. It will be explained and discussed at what point today's societies are at in terms of their attitude and adaptation to the crisis of privacy as the loss of beauty.
The disclosure of the beautiful, which is the main problem of the Modern Age, and the banalization / vulgarization /banalization of the beautiful have led to the crisis of privacy. The main purpose of this study is to examine the manifestations of the crisis of privacy as the loss of beauty in the Modern Age, and to compare the situation of today's societies by taking into account the policies, studies and substitution forms followed by modernity in this situation. Modernism is the name of the transformation from a logocentric structure to an ocularcentric structure. Culture, society and the state, which are shaped within the ocularcentric structure, were essentially tried to be classified through 'what is visible'. In the meantime, the invisibility (disclosure) of the beautiful and the subsequent emergence of a crisis of privacy have led people to live in the shop window. In order to talk about the loss of the beautiful in the Modern Age, it is first necessary to talk about how the cult value of the beautiful has turned into an exhibition value. The modern eye has been shaped on the axis of the seer, the seen and the seen, and has caused privacy to turn into deprivation. The fact that what is healthy is the smoothness of beauty and what is intimate loses its essence has brought the 'Modern Eye' to power and made it dominant. People think that the life they live gains value only to the extent that it is watched. Deprivation With the increase in the exhibition value of the beautiful in the modern period, the sources of representation have also increased and Homo Sapiens has secularized and gained new forms in the modern period. New sources have emerged in every period and shaping the society with the accompanying movements/ideologies has become the ideal of the Modern Eye. At this point, privacy has remained in the background in Modernity and the ideological structure has realized itself by exceeding its limits. The loss of beauty and the crisis of privacy have been scripted in the form of society types as the Modern Age representation design. It will be discussed how to evaluate the types of representational society (consumer society, transparency society, show society, exhibition society, etc.), what they can lead to, and by which ideological structures they become viral and legitimized. In this context, the study will include the crisis of privacy caused by the loss of beauty, the reflections and transformations of the issue in the present day will be discussed, the situation of privacy as the disclosure of beauty in the Modern Age will be discussed, and the crisis of privacy as the loss of beauty will be expressed with the criticism of the Modern Age, taking into account the Middle Ages, when beauty and therefore privacy were the most protected. It will be explained and discussed at what point today's societies are at in terms of their attitude and adaptation to the crisis of privacy as the loss of beauty.
Açıklama
Anahtar Kelimeler
Mahremiyet Krizi, Güzelin Kaybı, Pürüzsüzlük, Modern Göz, Virallik, Otantik Güzel, Crisis of Privacy, Loss of Beauty, Smoothness, Modern Eye, Virality, Authentic Beauty
